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Home/ Questions/Q 1202
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N.K. Sharma
N.K. Sharma
Asked: January 10, 20242024-01-10T10:43:42+05:30 2024-01-10T10:43:42+05:30

Explain the following passages with reference to the context : “He did it like an operatic tenor-a regular handsome fellow, with flashing eyes and lovely moustache, shouting a war-cry and charging like Don Quixote at the windmills. We nearly burst with laughter at him; but when the sergeant ran up as white as a sheet, and told us they’d sent us the wrong cartridges, and that we couldn’t fire a shot for the next ten minutes, we laughed at the other side of mouths.”

Explain the following passages with reference to the context : “He did it like an operatic tenor-a regular handsome fellow, with flashing eyes and lovely moustache, shouting a war-cry and charging like Don Quixote at the windmills. We nearly burst with laughter at him; but when the sergeant ran up as white as a sheet, and told us they’d sent us the wrong cartridges, and that we couldn’t fire a shot for the next ten minutes, we laughed at the other side of mouths.”

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    1. Abstract Classes Power Elite Author
      2024-01-10T10:44:11+05:30Added an answer on January 10, 2024 at 10:44 am

      This passage is from George Bernard Shaw's play "Arms and the Man," a satirical comedy that critiques romanticized notions of war and heroism. The speaker is Captain Bluntschli, a Swiss mercenary fighting for the Serbian army, who finds himself seeking refuge in the bedroom of Raina, a young Bulgarian woman.

      Contextual Explanation

      Bluntschli's Description of Sergius

      Bluntschli describes an incident involving Sergius, a Bulgarian officer and the fiancΓ© of Raina. Sergius, depicted as a traditionally handsome and brave soldier, is likened to an "operatic tenor" and Don Quixote for his dramatic and somewhat foolish charge at the enemy. This comparison paints Sergius as more of a theatrical figure than a practical soldier, emphasizing the absurdity and impracticality of his actions.

      The Don Quixote Comparison

      The reference to Don Quixote is particularly telling. Don Quixote, the protagonist of Miguel de Cervantes' novel, is known for his delusions of grandeur and his tendency to mistake mundane objects for fantastical enemies. By comparing Sergius to Don Quixote, Bluntschli suggests that Sergius' heroics are misguided and based on a flawed understanding of reality, much like Don Quixote's battles with windmills he believes to be giants.

      The Turn of Events

      The humor of the situation quickly turns to danger when Bluntschli reveals that they were unable to fire their weapons due to being supplied with the wrong cartridges. This twist highlights the chaos and unpredictability of war, contrasting sharply with the glorified image of battle often held by characters like Raina and, initially, Sergius.

      Thematic Significance

      Critique of Romanticized War

      Shaw uses this passage to critique the romanticization of war. Through Bluntschli's pragmatic and unromantic view of battle, Shaw challenges the notion of war as a glorious and noble endeavor, presenting it instead as chaotic, absurd, and often futile.

      Reality vs. Illusion

      The play frequently contrasts realistic and pragmatic views of war (embodied by Bluntschli) with romantic and idealized ones (embodied by Raina and Sergius). This passage exemplifies this theme, showing how actual combat can be far removed from the heroic fantasies often associated with it.

      Character Development

      This scene also sets the stage for character development, particularly for Sergius, who later comes to a realization about the true nature of war and his own role in it. It also influences Raina's perception of both Sergius and Bluntschli, contributing to her growing attachment to the latter.

      Conclusion

      In this passage from "Arms and the Man," Shaw uses Bluntschli's account of Sergius's foolhardy charge to underscore the play's central themes: the disparity between the romanticized image of war and its harsh realities, and the evolution of characters as they confront these realities. The humorous yet poignant critique of traditional heroism serves as a cornerstone for the play's satirical examination of war and love.

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